Saturday, March 06, 2010


Silencing the negativity

A friend approached me about some negative comments a customer had said about her successful business. The comments had stopped her in her tracks for days. The negativity crept up and took hold of much of her energy.
Amazingly, I often seem to remember negative comments much more than positive ones. My friend with the business agreed. No matter how many customers she had, the one critic's comments nagged at her.
It's almost as if we have an inner critic that lurking in our mind. Then a person says something that adds fuel to a spark that consumes our self-esteem. Dousing that raging inner critic is often hard.
This has happened to me. In the past couple weeks, I've been working to silence an inner critic of my writing after someone made a negative--not constructive--comment about something I wrote. It didn't bother me at first. But then I gave the negativity too much room to roam in my mind--too much space and fuel--and the critic overtook many positives I'd been feeling.
Instead of giving into the critic (for too long), I gave myself a boost without tapping away on my keyboard. I called a friend. A writer/editor with an understanding of the writing process and a wicked sense of humor. After 10 minutes, she had me laughing so hard that all negative thoughts were pushed out of my mind. She didn't stroke my ego but she brought back a sense of humor and play that I needed to regain my balance and squash that flame of the inner critic.
What do you do to return balance to your writing after feeling the pinch of an inner or external critic?

Elizabeth King Humphrey is a writer and creativity coach. She would rather spend time alone with her keyboard than to roam the desolate, dusty fields of negative writing comments. Besides contributing to AOL's ParentDish, she blogs at The Write Elizabeth, delving into creativity in everyday places.

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Monday, November 26, 2007


Burn the House Down

By Susan L. Eberling

On my journey back into writing after a long, motherhood-induced hiatus, I encountered fellow writers along the way who have served as guides to me. Ray Bradbury and Anne Lamott inspired me to turn off my inner critic that says I have to crank out a wonderful piece of work in the first draft. Really, they unchained me from myself.

“The first draft is the child’s draft,” Lamott wrote in her book, Bird by Bird, “where you let it all pour out and then let it romp all over the place, knowing that no one is going to see it and that you can shape it later.” Anne Lamott advocates writing “crappy” first drafts. (This is not the exact language Lamott uses, but for now it will suffice.) Ray Bradbury encourages writers to “burn the house down” as they generate a first draft. He teaches to write what you love, what you hate, your passions, dreams and desires. Don’t write what you think you should write or what will get you published. In a 1956 article in The Writer, Bradbury says, “If you are writing without zest, without gusto, without love, without fun, you are half a writer. It means you are so busy keeping one eye on the commercial market . . . that you are not being yourself.”

Why is getting a first draft out so pivotal? Simply this: the rough draft is the clay from which we sculpt our finished work. Without a rough draft, no matter the quality, we have nothing to work with except growing anxiety and writer’s block. Both Bradbury and Lamott encourage writing first drafts with gusto and abandon. (Incidentally, this is largely the concept behind NaNo. If you look in their FAQs, someone asks what good could ever come from writing a novel so quickly? For NaNo’s answer, follow this link: Sit down at your computer and tell yourself not to expect anything except a bad first draft. It takes the pressure off. When the pressure is off, your inner editor is silenced and you can more easily find your voice and tap into your creative wells.

One day I decided I was going to “burn the house down” as I wrote a “crappy first draft” of an article I needed to write for a newsletter. I penned those phrases on a sheet of paper and put it next to my monitor where I could see it as I wrote. It worked. I quickly cranked out the draft that I needed and set it aside for a day to age like a fine wine. The next day my husband sat me down after lunch. “So, I found a strange note next to your computer, are you doing okay?” he asked, somewhat pensively. Seeing my note by the computer, he thought that I was about do terrible things to our home because of writing angst. It took some convincing to let him know that I was actually trying encourage and motivate myself.

So, what’s the bottom line? As writers, let’s release ourselves to write from our passions with zeal. Don’t hold back. Write everything that comes out of your brain. Everything. You can hack your work to pieces later, but go for the gusto, write a crappy first draft and burn the house down as you go.

Susan L. Eberling

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