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Featured Online Writing Class

Melanie Faith

THE ART OF SHORT STORY WRITING by Melanie Faith

START DATE:  This class is currently closed.

DURATION:   5 weeks

COURSE DESCRIPTION:  Fiction writer Andre Dubus notes, “I love short stories because I believe they are the way we live. They are what our friends tell us, in their pain and joy, their passion and rage, their yearning and their cry against injustice.” Join us on this five-week workshop exploring this visceral and vibrant art form. We’ll explore the elements that make great fiction, find inspiration in short story packets as well as within prompts posted at our group site and within our text, Write Short Stories and Get Them Published, and pen our own short stories. Students will submit story drafts weekly for constructive and supportive instructor feedback. Topics covered will include: Where Do I Begin?; Advantages of Writing in the First Person; Advantages of Writing in the Past Tense; How to End a Story; The Little Black Dress of Short Story Writing; How to Add Intensity to Your Stories; The Importance of Choosing the Right Word and the Right Image; Predicament/Resolution; Narrative Arcs; Give Your Characters Things to Do; Creating Unreliable Narrators; What is a Documentary Short Story?; Useful Steps to Revise Your Stories; and How to Identify the Right Market for Your Stories.

The course was great. I did not want it to end. I have taken several college level creative writing courses, as well as, attended many writer’s workshops, but I have enjoyed this course the most. I really appreciated that Melanie would also critique our re-writes which was very, very helpful. This course has really helped to motivate me creatively. ~ Barb Cramer

I have taken three courses from Melanie and in each course I grow tremendously as a writer. The texts she uses as well as the handouts and daily writing prompts all contribute to what she refers to as “the writing life” and in her courses that’s exactly what it becomes. Her comments on the pieces go way beyond grammar and punctuation. She delves into the content and clarifies what is good and what can be adjusted to make the piece stronger. I can tell she spends time reading what I write and is prompt in returning the assignments so I always have plenty of time for revision. She treats me, and everyone in the class, like a writer. Her classes are a joy. If there is a course offered by Melanie and I can fit it in, I always take it. ~ Holly Helscher

I have to rein myself in every time I see in the WOW classes list that Melanie is teaching another essay class. And why is this? In all of my education (B.A. in English and M.A. in English), I never took a writing class. When I was in college, writing was taught only in Freshman English; after that class, we were just expected to know how to write. I learned to teach writing myself by reading books about writing. How refreshing and educational to find a teacher/mentor who exhibits the characteristics that I know an excellent writing teacher has: the creativity to come up with topics that students want to write about, the ability to critique without finding fault, the desire to encourage students to keep on writing even when the juices aren’t flowing. Believe me . . . she’s an excellent teacher. In addition, she became my friend through being my teacher. To be a friend AND a teacher takes real talent. ~ Sandy Young

Melanie has been a total joy as a teacher and guide. I found her feedback, critiques, and comments to be extraordinarily helpful and insightful. And the daily prompts and positive reinforcement made this writing class a wonderful experience! ~ Mary Purdy

WEEKS AT A GLANCE:

Friday, September 9, 16, 23, 30, and October 7, 2016 (instructor short story handouts sent)

Friday, September 16, 23, 30, and October 7 and 14, 2016 (student drafts due for instructor comments)

Week One: Where Do I Begin?; Advantages of Writing in the First Person; Advantages of Writing in the Past Tense; How to End a Story; How to Find an Audience for Your Work; the Little Black Dress of Short Story Writing; Whose Story is This?; How to Choose the Right Point of View for the Story You Want to Tell

Short Stories of the Week (provided by instructor):

  • “The Tribal Rite of the Strombergs” by Simon Rich
  • “The Life You Save May Be Your Own” by Flannery O’Connor

Write Short Stories and Get Them Published Text Reading:

  • Introduction, page X-XI
  • “Only got a minute?,” page XII-XIII
  • Chapters 1-4, pages 1-42

Assignment: Write a short story under a thousand words using one of the “Try this” exercises on pages 3, 24, or 27, the “10 THINGS TO TRY” list on pages 41-42, or a topic of your own choosing.

Week Two: How to Add Intensity to Your Stories; the Importance of Choosing the Right Word and the Right Image; the Importance of Showing Rather Than Telling; How to Write a Story of a Specified Length; Approaches to Writing Very Short and Longer Stories; Elements of Plot; the Pros and Cons of Plotting Your Stories in Advance

Short Stories of the Week:

  • “Mastiff” by Joyce Carol Oates
  • “Stockings” by Tim O'Brien

Write Short Stories and Get Them Published Text Reading:

  • Chapters 5-8, pages 43-81

Assignment: Write a short story under a thousand words using one of the “Try this” exercises on pages 45, 46, 47, 50, 70-71, or a topic of your own choosing.

Week Three: Predicament/Resolution; Narrative Arcs, Circles, Ripples, and Ends; Give Your Characters Things to Do; Use Contradictions and Contrasts; How Dialogue Can Bring Your Characters to Life; Comparisons and Contrasts of Direct and Indirect Dialogue  

Short Stories of the Week:

  • “The End of Something” by Ernest Hemingway
  • “Little Things” by Raymond Carver

Write Short Stories and Get Them Published Text Reading:

  • Chapters 9-11, pages 82-118

Assignment: Write a short story under a thousand words using one of the “Try this” exercises on pages 84, 85, 86, 88-89, 109, or a topic of your own choosing.

OR

Submit a revision of one of your first two stories for feedback.  Include a paragraph or list briefly detailing the changes you’ve made and why.

Week Four: Why a First-Person Narrator Doesn’t Always Get It Right; Creating Unreliable Narrators; What is a Documentary Short Story?; Magical Realism and Other Fantasy Genres; Why ‘Write What You Know’ is Good Advice; and Researching What You Don’t Know

Short Stories of the Week:

  • “On Seeing the 100% Perfect Girl One Beautiful April Morning” by Haruki Murakami
  • “Why I Live at the P.O.” by Eudora Welty

Write Short Stories and Get Them Published Text Reading:

  • Chapters 12-15, pages 119-145

Assignment: Write a short story under a thousand words using one of the “Try this” exercises on pages 123, 124, 127-128, 132, 137-138, 139,140-141, 144, 148-149, 150, or a topic of your own choosing.

Week Five: Why Grammar, Punctuation, Sentence Structure, and Spelling Matter; Why Real Writers are Rewriters; Useful Steps to Revise Your Stories; How to Identify the Right Market for Your Stories; What about Internet Publishing or Self-Publishing?; Why Continue Writing Short Fiction?  

Short Stories of the Week:

  • “The Smoker” by David Schickler
  • “A & P” by John Updike

Write Short Stories and Get Them Published Text Reading:

  • Chapters 16-19, pages 146-188

Assignment: Either write a new story OR choose one of the stories you’ve written in the course to revise and submit a second draft. Include a paragraph or list briefly detailing the changes you’ve made and why.

Materials needed: Students will need a copy of: Write Short Stories and Get Them Published by Zoe Fairbairns (Hodder Education, 2012). This text is currently available online at used bookstore sites as well as at Amazon.

ABOUT THE INSTRUCTOR: Melanie Faith holds an MFA from Queens University of Charlotte, NC. Her writing has been nominated three times for the Pushcart Prize. Most recently, her poetry collection, Tiny House, was published by Porkbelly Press in 2015, her haibun (prose and poetry hybrid) was published in Contemporary Haibun Online (CHO) in September and December 2015, and her poetry is forthcoming in After the Pause (March 2016 issue). Her flash fiction, “The Slades,” placed honorable mention in the 2014 Bevel Summers Prize for the Short Short Story and was published in Shenandoah (Washington and Lee University). Her WWII era poetry collection, Catching the Send-off Train, was published as the summer 2013 selection at Wordrunner eChapbooks. Her poetry chapbook, To Waken is to Begin, was published by Aldrich Press in September 2012. In addition to numerous photography publications, her instructional articles about creative writing techniques have appeared in The Writer’s Monthly Review Magazine, The Writer and Writers’ Journal, among others.

COST:  $185, which includes e-mail critique and positive feedback on student writing, weekly story handouts, and writing markets, and more.

BUY NOW:  The Art of Short Story Writing by Melanie Faith (5 weeks, starting 9/9/2016) Limit: 10 students. Early registration is recommended.

This class is now closed. Please check here for our current schedule.

Notes: Upon successful completion of payment, your name, email address, and contact info will be submitted to your instructor. She will contact you via email so you can get started.

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Additional Testimonials for Melanie Faith:

I took the nature writing class a few weeks ago and it was one of the best courses I've even taken. Melanie Faith is an excellent instructor. ~ Jean Forsythe

Your course has jump-started me back into writing. I have missed it. Thank you. ~ Melissa Healy

Melanie’s class taught me economy of words by using strong verbs and nouns, implying and showing rather than telling, and exploring topics outside of my comfort zone. Her feedback is prompt, detailed and constructive. ~ Rajni Gupta

Melanie Faith’s “Spark and Sizzle Flash Fiction Class” lives up to its title. The sample stories provided were examples of good writing and served as models. Melanie’s prompts came at a rapid pace and kept my pen on the page every day. Her critique comments were sharp and encouraging and challenged me to be the best writer I could be. She is easily available for questions or discussions during and after her classes via her personal email. This is the third class I’ve taken with Melanie and I am looking forward to taking many more in the future. ~ Renee Cassese

Melanie knows how to offer on-the-mark suggestions for writing improvement while also being extremely encouraging (and a joy to work with). I've taken many classes with her, including the flash class, and I plan on taking many more. ~ Marilyn Fahey

Melanie has always shown great insight into my work. Often times, she is able to pull out deeper meanings, that even I wasn't consciously aware of while writing. Her constructive criticism has moved my writing into new directions. I find that I feel more confident and prepared as a writer by having her constant editing eye. I respect that she critiques my poetry honestly, letting me know areas that are weak as well as strong points. I wouldn't be able to grow as a writer if she always told me my poems were great. It's from her perspective of my work that I grow. I enjoy learning through her and appreciate her sharing tricks of the trade that she learned in her masters program.

I'm thankful to know Melanie and hope we remain friends and a poetry support system for the rest of our lives. She's the type of person and writer that anyone would feel lucky to know. She is a great mentor and holds a wealth of knowledge in the written language. Her achievements and constant pursuit as a writer inspire so many. Her determination and skill will go very far and I suspect she'll leave a lasting imprint in the written world. She already has. ~ Courtney Burger

The course was great. I did not want it to end. I have taken several college level creative writing courses, as well as, attended many writer’s workshops, but I have enjoyed this course the most. I really appreciated that Melanie would also critique our re-writes which was very, very helpful. This course has really helped to motivate me creatively. ~ Barb Cramer

Melanie demonstrates particular qualities in a writing teacher/coach that I would recommend for anyone looking for focused attention to help move their writing forward.

I had not taken an on-line course previously, and didn't know what to expect, but Melanie melted the distance, was always accessible, and never missed a beat with out on-line communication. I always felt like I had Melanie right here around my writing table, or knocking on my door saying—“I had a few thoughts..." She provided a wealth of resources and provided us with course materials that were tuned to our course level.

Her insight into my work, in terms of critique, were extremely thoughtful, thorough, and eye-opening. I feel that working with Melanie has allowed me to be braver with my writing and editing—as she was supportive of experimentation and taking chances with style, vocabulary, and theme. She provides serious critique in an atmosphere that, well, just makes me want to keep on writing!” ~ Mary Ellen Sanger

I have taken three courses from Melanie and in each course I grow tremendously as a writer. The texts she uses as well as the handouts and daily writing prompts all contribute to what she refers to as “the writing life” and in her courses that’s exactly what it becomes. Her comments on the pieces go way beyond grammar and punctuation. She delves into the content and clarifies what is good and what can be adjusted to make the piece stronger. I can tell she spends time reading what I write and is prompt in returning the assignments so I always have plenty of time for revision. She treats me, and everyone in the class, like a writer. Her classes are a joy. If there is a course offered by Melanie and I can fit it in, I always take it. ~ Holly Helscher

I have the normal anxiousness of sharing my work while so excited to have Melanie Faith’s critical eye read my writing. It is always reviewed with an eye to improvement and an eye to the thoughts the words contain. This is the first computer class I have ever taken and want to take many more. I also look forward to many more classes with Melanie Faith. ~ Benita Cervantes

Because I love memoir writing, I have taken two memoir/personal essay classes from Melanie. I can’t believe this, but because I enjoy the teacher herself and her method of teaching so much, I’ve even taken a poetry-writing class. I’ve always steered away from writing poetry of any kind ever since I wrote a poem in college (an assignment, not a by-choice piece) and the class laughed because I wrote about a controversial topic and was so naïve that I didn’t even know it was controversial. Every time I’d mention to Melanie that I’d never write a poem, she’d encourage me to take her class, assuring me that I’d be successful. I took the class, and sure enough, I was successful, thanks to Melanie’s velvet critiquing, encouraging comments, and thoughtful suggestions, many times seeing in my writing what I couldn’t see for myself.

I have to rein myself in every time I see in the WOW classes list that Melanie is teaching another essay class. And why is this? In all of my education (B.A. in English and M.A. in English), I never took a writing class. When I was in college, writing was taught only in Freshman English; after that class, we were just expected to know how to write. I learned to teach writing myself by reading books about writing. How refreshing and educational to find a teacher/mentor who exhibits the characteristics that I know an excellent writing teacher has: the creativity to come up with topics that students want to write about, the ability to critique without finding fault, the desire to encourage students to keep on writing even when the juices aren’t flowing. Believe me . . . she’s an excellent teacher. In addition, she became my friend through being my teacher. To be a friend AND a teacher takes real talent. ~ Sandy Young

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Questions? Email Marcia & Angela at:
classroom[at]wow-womenonwriting[dot]com

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